THE MAN ON THE DUMP
Wallace Stevens Day creeps down. The moon is creeping up. The sun is a corbeil of flowers the moon Blanche Places there, a bouquet. Ho-ho ... The dump is full Of images. Days pass like papers from a press. The bouquets come here in the papers. So the sun, And so the moon, both come, and the janitor’s poems Of every day, the wrapper on the can of pears, The cat in the paper-bag, the corset, the box From Esthonia: the tiger chest, for tea. The freshness of night has been fresh a long time. The freshness of morning, the blowing of day, one says That it puffs as Cornelius Nepos reads, it puffs More than, less than or it puffs like this or that. The green smacks in the eye, the dew in the green Smacks like fresh water in a can, like the sea On a cocoanut—how many men have copied dew For buttons, how many women have covered themselves With dew, dew dresses, stones and chains of dew, heads Of the floweriest flowers dewed with the dewiest dew. One grows to hate these things except on the dump. Now, in the time of spring (azaleas, trilliums, Myrtle, viburnums, daffodils, blue phlox), Between that disgust and this, between the things That are on the dump (azaleas and so on) And those that will be (azaleas and so on), One feels the purifying change. One rejects The trash. That’s the moment when the moon creeps up To the bubbling of bassoons. That’s the time One looks at the elephant-colorings of tires. Everything is shed; and the moon comes up as the moon (All its images are in the dump) and you see As a man (not like an image of a man), You see the moon rise in the empty sky. One sits and beats an old tin can, lard pail. One beats and beats for that which one believes. That’s what one wants to get near. Could it after all Be merely oneself, as superior as the ear To a crow’s voice? Did the nightingale torture the ear, Peck the heart and scratch the mind? And does the ear Solace itself in peevish birds? Is it peace, Is it a philosopher’s honeymoon, one finds On the dump? Is it to sit among mattresses of the dead, Bottles, pots, shoes and grass and murmur aptest eve: Is it to hear the blatter of grackles and say Invisible priest; is it to eject, to pull The day to pieces and cry stanza my stone? Where was it one first heard of the truth? The the. |
I go into a lot more detail about this poem in a piece I wrote for Memorious as part of their "Big Loves" section.
|